The Sex and Gender Education Show

Sex And Gender Education Show
Participants complete workbooks in preparation for finding one or more partners with whom to create the perfect child.

Styled as a sex education class, subRosa’s first public performance employed time honored, low tech teaching methods to inspire critical thinking and knowledge sharing about the new Assisted Reproductive Technologies.  Just coming into wide use at the time, we looked at ARTs and their effects on female sexuality, reproductive choice, eugenics, and gender in the Biotech Century. subRosa members posed as corporate and government agency representatives, registering class participants and assigning them to one of 5 groups named for the protein bases of DNA (T, A, G, & C), or a fifth, “dud” group. Following an illustrated crash course on reproductive genetics and ART methods, participants were given a workbook with a “reproductive choice” form to complete. In a hilarious final “repro-tech mixer” participants mingled to find reproductive partner(s) matching their preferences to negotiate “making a perfect baby the biotech way.” A spontaneous break-away group of Luddites desiring to have babies the old-fashioned sexy way highlighted this performance.

  • Performed as “Sex & Gender in the Biotech Century,” Digital Secrets conference, Arizona State University, Tempe, Arizona, November, 2000
  • Performed as “The Sex and Gender Education Show,” Hardware, Software, Wetware & Women conference, St. Mary’s College of Maryland, December, 2002

The Sex and Gender Education Show has its own web site and workbook, and the first iteration is documented on subRosa’s Selected Works DVD.

Constructa/vulva

An interactive super-sized sculptural performance originally created as an element of subRosa’s “Knowing Bodies” installation in Fusion! Artists in a Research Setting [see below]. Constructa/vulva comes with a wildly colorful collection of ‘parts’, including many sizes and shapes of labia, cervix, and clitori. Performers (in recent versions, costumed as speculums) encourage and assist audience members in creating their ideal vulva by affixing their choices of parts to Velcroed surfaces. An instant portrait of the audience member with their creation was given to them.* The project honors the 1970s Feminist Women’s Health Movement, which encouraged women to get to know, love, and care for their own bodies and sexualities.

  • Fusion! Artists in a Research Setting, Regina Gouger Miller Gallery, Carnegie Mellon University, Pittsburgh, PA, Aug. 22–Sept. 29, 2000.
  • EveryBody!: Visual resistance in feminist health movements, 1969-2009, curated by Bonnie Fortune. I-Space, Chicago. Sept. 11–Oct. 10, 2009 & Carleton College Gallery, April–May, 2011.